In 2012, to celebrate its 50th anniversary, KEF introduced the LS50 two-way minimonitor ($1499.99/pair at launch, all prices in USD), which went on to become one of the landmark audio products of the 2010s. When he reviewed the LS50 on SoundStage! Hi-Fi in 2013, Doug Schneider concluded: “The LS50 is nothing short of a masterpiece of a minimonitor, priced so that anyone serious about audio can buy a pair.” The LS50 later won a 2013 SoundStage! Network Product of the Year award. Four years later, KEF launched an active speaker employing the same Uni-Q driver array as its passive cousin. The LS50 Wireless ($2499.99/system at launch) was named a SoundStage! Network Product of the Year for 2017.
I never wanted to purchase new speakers. I never wanted to go digital. It all happened by accident.
Read more: Evolving Hi-Fi: My Journey with a Fleet of Devialet Silver Phantoms
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
With network entertainment now solidly in the mainstream, we’re seeing more and more products that depart from the traditional source-amp-speaker paradigm. We’ve reviewed scores of such products on Simplifi: active speaker systems with built-in network streamers such as KEF’s LS50 Wireless II and Bang & Olufsen’s Beolab 28, streaming DAC-preamps such as NAD’s C 658 and Bryston’s BR-20, and streaming integrated amplifiers such as Bluesound’s Powernode and Naim Audio’s Uniti Atom.
The greatest audio show on earth is back. After a two-year, pandemic-induced hiatus, the 2022 Munich High End show took place from May 19 to 22. The SoundStage! Network sent a four-person editorial team to Bavaria: founder and publisher Doug Schneider; editor-in-chief Jeff Fritz; Edward Kramer, editor of SoundStage! Australia; and Jonathan Gorse, a UK-based contributor to SoundStage! Ultra. Together, they filed 18 dispatches from Munich, which you can find on SoundStage! Global.
Read more: Simplifi'd Hi-Fi at Munich High End–and Elsewhere
Q Acoustics, founded in the UK in 2006, produces loudspeakers that range from the inexpensive 3010i compact bookshelf model ($299 per pair, all prices in USD) to the Concept 500 floorstander ($6499/pair), with a plethora of choices in between. These include a myriad of home-theater options, including several subwoofers and an active soundbar.
When it comes to consuming music, you can split the SoundStage! team into a few broad categories: those who are big into physical media, those who have fully embraced streaming, those who rely on downloaded and ripped music, and those with feet in all these camps.
The Italian brand Sonus Faber is known for beautifully crafted passive loudspeakers that use luxurious materials, including exotic wood finishes and front baffles with leather inserts. Earlier this year, Sonus Faber announced its Omnia Wireless Music System ($1999, all prices in USD unless noted otherwise). With flowing lines, five-layer veneered walnut top panel, sculpted base, and textured fabric grilles, the Omnia shares the design aesthetic of Sonus Faber’s passive speakers.
Across the SoundStage! Network, you’ll find coverage of all kinds of audio products: high-end gear on SoundStage! Ultra, affordable components on SoundStage! Access, headphones and accessories on SoundStage! Solo, lifestyle audio here on SoundStage! Simplifi, portable Bluetooth speakers on SoundStage! Xperience, news and events on SoundStage! Global, and all manner of gear on the mothership—SoundStage! Hi-Fi.
If I had to name two products that laid the groundwork for Simplifi’d hi-fi, they’d be Apple’s iPod and Bowers & Wilkins’s Zeppelin iPod speaker. Before Apple launched the iPod in 2001, most people listened to their own music on physical media, one disc or tape at a time. The iPod let them store an entire music library on one pocketable device and play tracks at random.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
The original NAD Masters M10 streaming amplifier, introduced in January 2019, is a compact, versatile unit that can form the heart of a modern high-fidelity system. It has everything you can imagine you’d want in an integrated amplifier: NAD’s BluOS streaming function, a two-channel amplifier, Dirac Live room correction, a DAC, digital and analog inputs, and more. The M10 fits NAD’s “just add speakers” philosophy perfectly. Gordon Brockhouse reviewed the M10 on this site in May 2019—it received a Reviewers’ Choice award and was subsequently named a SoundStage! Network Product of the Year.
Read more: NAD Masters M10 V2 Streaming Integrated Amplifier
One of the occupational hazards of writing for an audiophile website is a condition photography enthusiasts call GAS—Gear Acquisition Syndrome. After hearing about a new lens (or amplifier), you decide you really, really need this new toy, even though the gear you already own is more than adequate for your needs. During my adult life, I’ve experienced GAS hundreds—maybe thousands—of times, and succumbed to it more often than I care to admit.
The British hi-fi brand Mission is best known for its passive loudspeakers; but, late last year, the company introduced a lifestyle music system that combines a wireless hub with a pair of active bookshelf loudspeakers. Priced at $1699.99 (all prices in USD), the LX Connect was designed and engineered in the UK, with acoustic engineering by Mission and electronic design by its sister company Audiolab. Both brands are part of the International Audio Group (IAG), a Chinese company that also owns Castle Acoustics, Leak, Luxman, Quad, and Wharfedale.
Read more: Mission LX Connect Wireless Active Speakers and Hub
Was 2021 the year that lossless and hi-rez music streaming became mainstream? Last year, Spotify promised it would start delivering lossless music, but failed to deliver. Three months later, Apple announced plans to offer lossless and hi-rez content, and started delivering shortly thereafter. Amazon Music HD had been offering lossless and hi-rez music since 2019; but following Apple’s move, Amazon reduced its price for the service. These aggressive moves by major providers like Apple and Amazon led several smaller streaming services to revamp their own pricing plans in 2021.
When Linn Products announced its Series 3 active loudspeaker in October 2019, the Scottish company called it “the world’s best-sounding wireless speaker.” Given that bold claim, Linn chose an appropriate launch venue for the speaker. For several months, the Series 3 was available exclusively at Linn’s flagship showroom in Harrods department store in London, England. In 2020, Linn rolled out the Series 3 to its worldwide dealer network.
Is there an audio manufacturer whose products exemplify Simplifi’d hi-fi more than Denmark’s Bang & Olufsen? I doubt it. Formed in 1925, B&O started offering “convenient, lifestyle-oriented hi-fi” components not long after the word “lifestyle” had been coined.
Today is Simplifi’s birthday. Five years ago, on New Year’s Day 2017, the SoundStage! Network launched a site dedicated to “convenient, lifestyle-oriented hi-fi” with a short feature by Al Griffin, entitled “Why Simplifi.”
Here’s a bit of audio trivia for your holiday enjoyment: Who was J.A. Hofmann? If you’ve been into audio as long as I have, you’ll know him as the H in the loudspeaker brand KLH. Along with Henry Kloss and Malcolm S. Low, Hofmann was a founding partner of KLH Research and Development Corporation, which was formed in 1957, and has recently been revived as KLH Audio.
Most audiophiles know Canada’s Lenbrook Industries for its three audio brands: PSB Speakers, NAD Electronics, and Bluesound multi-room streaming products. Fewer people know Lenbrook as a software developer. But the fact is that Lenbrook’s BluOS software platform is a key component of many of its products—not just the Bluesound multi-room components for which BluOS was originally created, but also NAD integrated amplifiers, preamplifiers, AV receivers, and a multi-zone streamer targeted at the custom-integration (CI) market.
Read more: The Evolution of BluOS: An Interview with Lenbrook's Andrew Haines
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
The fall of 2021 has been a busy time for NAD Electronics. In the past few months, the Pickering, Canada–based company has announced three new integrated amplifiers, all of them with intriguing feature sets.
In the past few years, UK-based iFi Audio has introduced an impressive series of compact, affordable components under its Zen sub-brand. These include the Zen Blue V2 Bluetooth DAC ($189, all prices in USD unless noted otherwise), Zen DAC V2 DAC-headphone amp ($189), Zen Phono MM/MC phono stage ($199), and Zen Can balanced headphone amp ($199).
On May 28, 2020, Tidal announced that it was rolling out Dolby Atmos Music for home-theater systems. Nearly a full year later, on May 17, 2021, Apple Music announced that, along with lossless audio, its catalog would support spatial audio, which also uses Dolby Atmos. For Tidal, Dolby Atmos Music is included in the higher-tier HiFi subscription at $19.99 (all prices in USD) per month for a single subscription ($29.99 for up to five additional family members). For Apple Music, spatial audio and lossless audio are included in the $9.99 plan ($14.99 per month for up to five additional family members). For most audiophiles, the biggest draw would be lossless audio—the company was joining niche providers such as Tidal and Qobuz, but Apple’s pervasive influence brings it to a much wider audience.
Sometimes, I envy reviewers on other sites of the SoundStage! Network. Most of the time, they’re reviewing single-purpose products like passive loudspeakers, amplifiers, DACs, turntables, and headphones, so they can focus mainly on how the component sounds.
Read more: System Audio Legend 40.2 Silverback Active Loudspeakers and Stereo Hub WiSA Transmitter
You might think that a guy who earns his living by writing about technology would want to have the latest and greatest of everything. Not yours truly. When I make a purchase, I’ll spend what it takes to get a product that will meet my needs for a long time—but then I’ll make that thing last and last. I’ll replace a product only if it stops working properly and can’t be repaired economically; or if my circumstances change and the thing no longer suits my needs.
I don’t know how many stereo systems are sitting unused in people’s basements and attics; but I’d guess a gazillion or so, give or take a million. That’s a pity, because it wouldn’t take much to update them. Just connect a streaming DAC like the new Bluesound Node ($549, all prices in USD), and that old system is ready to stream music from the internet, play digital music from an external drive, play soundtracks from a connected HDTV, and perform other 21st-century audio tricks.
In his July 1 editorial, “Rich Guys and Reviewers Running Amok in Hi-Fi,” SoundStage! Network founder and publisher Doug Schneider discussed the amount of exorbitantly priced hi-fi products available today, and the fact that their performance often does not justify their crazy price tags. And he cited academic studies showing that consumers often mistakenly equate price with quality.
Almost all of the products reviewed here on Simplifi, and on other corners of the SoundStage! Network, are fairly new to market—in most cases, less than one year old. And quite often, our reviews are of products that are brand new to market.
At first glance, Q Acoustics’ Q Active 200 ($1999/pair, all prices in USD except where noted) doesn’t look much like a loudspeaker. It could be an appliance of some kind, or maybe a minitower desktop PC. After setting up the speakers on the matching Q FS75 stands ($499/pair) in my living room, I sent close-up pix to a few friends and family members, and asked them what kind of product the pictures showed. Those were some of their guesses.
We’re just past the halfway point of 2021, but I think I’ve already heard my favorite album of the year. On August 6, Impex Records will release Clique, an album of jazz standards by Patricia Barber, on MQA CD, SACD, and hi-rez download. Stereo and 5.1 surround-sound mixes will be included on the SACD, and available as hi-rez downloads. Clique will also be streamed by Apple Music, Spotify, Tidal, and Qobuz. Coming later this year is a 33rpm LP; a 45rpm LP and a reel-to-reel tape release will follow in 2022.
Read more: Encore! Encore! An Interview with Patricia Barber, Jim Anderson, and Ulrike Schwarz
One of the hottest product categories in hi-fi right now is the streaming integrated amplifier—an amp with a built-in network streamer and Wi-Fi connectivity. Just add a pair of loudspeakers, connect the amp to your home network, log on to your favorite streaming service, and you have everything you need to play just about all the music in the world. Of course, these products also have digital and analog inputs to accommodate components like disc players, game consoles, and TVs.
Read more: Bluesound Powernode Multiroom Streaming Integrated Amplifier
During my three years on Simplifi, I’ve reviewed 27 different powered and active loudspeakers—more than any other product category. There’s a reason for this. Because of their all-in-one designs, speakers with built-in amplifiers work wonderfully for Simplifi’d hi-fi.
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